One of the saddest and most hil- NO BITCH, the sad thing here is the fact that you're a stripper. If you want respect, maybe you should've graduated high school. 😂😂 when did stripping become a legitimate career?
Awww, you tried so hard, but unfortunately I can’t hear you over the sound of my debt-free college degree and massive disposable income.
A Little girl, 3 yrs. old picked up by a man driving a gray car, license plate: Quebec 72B 381. Canada. Reblog this. It could save her. The Kidnapping is recent so do it, 3 seconds will not kill you. If it were your child .
What about our fans? Are they privileged? Let me tell you about Anders. He was one of two male love interests in Dragon Age II, and the only one of the two that would actually make his intentions known to the player without the player expressing interest first. If you were nice to him, he would make a pass at you, and you could turn him down, and that would be the end of it. And some fans REALLY did not like that.
Some of them asked for a gay toggle; because in a game where there’s mature themes, slavery, death, and none of which we offer toggles for, encountering a gay character? OOH, beyond the pale. They didn’t want to be exposed to homosexuality.
And this one fan on our forums posted that he felt too much attention had been spent on women and gays and not enough on straight male gamers. For all of whom he personally spoke, of course. ‘It’s ridiculous that I even have to use a term like Straight Male Gamers, when in the past I would only have to say fans.’ The purpose of the romances in Dragon Age II was to give each type of fan an equal content. Two romances whether you’re male or female, straight or gay.
How upsetting for this particular Straight Male Gamer to realize he wasn’t being catered to. This was not equality to him, but an imbalance; an imbalance of the natural order. He did not want equality, he’s not interested in equality. To him, from his perspective, equality means he’s getting less. Less options? Actually, no, the number of options we had in that game was actually the same number of options that he would have received earlier. What was his issue was the idea that there was attention being spent on other groups, which SHOULD have rightly gone to him.
Do ALL straight male gamers feel exactly the same as he does? Absolutely not. In the thread where this came up in fact, there was quite a few guys who came in and identified themselves as straight male gamers and said ‘I actually don’t have an issue with that, as long as I receive an experience I enjoy, I think other people should be able to enjoy that too.’ But if you think that Straight Male Gamer Dude is an outlier among our fanbase, you were not paying attention.
This is Anita Sarkeesian, she’s the author of the Feminist Frequency, a blog which examines tropes in the depiction of women in popular culture. You’ve probably all heard about this, it’s a matter of public record, she announced a Kickstarter to start a web series to look at the tropes in video games and she was subjected to a campaign of vicious abuse and harassment by male gamers. Why? Well, because she represents to these guys the loss of their coveted place in the gaming audience. Never mind that well all know Goddamn well that they’re still at the top of the totem pole. What they see themselves losing is sole proprietorship over their domain. That’s what it is.
Everything that is changing about the gaming industry to accommodate these players, to them, is diluting the purity of gaming which has belonged solely to them. That’s what this is all about. And here’s the thing, I’m pretty certain that our industry fears the scrutiny of those guys way more than the scrutiny of everyone else. Because those are the guys that scream at the top of their lungs, they spend their time on every internet forum, they spend their time making Metacritic reviews. Infuriate them, and you become a target. It’s so much easier to say “Well, that’s what our fans are like. There’s nothing we can do.” And that’s bullshit.
They didn’t set the tone, did they? We set the tone. What we put out there, what we permit, whether it’s on our forums, whether it’s on Xbox Live, the things that we permit we are in effect condoning. What happened to Anita, we the industry, are partly responsible for. We’re in part to blame. And if the idea of moral responsibility doesn’t phase you, consider the idea that the time will probably soon come that this will also amount to legal responsibility.
You’re right, the narrative never presents him as anything less than the good king.
Except that’s the entire thing that is so wrong with his character.
That’s what makes him all the more fucked up.
OUAT does this thing where it boasts about how its characters are so morally ~complex~ but the problem is that even when characters are written as morally gray, the narrative itself does not treat them as such.
On OUAT, where a character supposedly falls on the morality scale is almost completely, if not entirely, based on how the narrative presents them. It’s all about how we’re supposed to see them, because good and evil is somehow tied to their very beings.
The very issue with Leopold is that he does all of these fucked up things, and yet none of the characters ever consider these actions of his and determine his character based on them. Rather, the very first thing he is seen doing (freeing the genie) is perhaps the one genuinely good and selfless thing he actually does, and this one good action, simply because of its placement, is seen as the determining factor for who he is – a kind, fair king – and thus we are meant to overlook his awful actions that follow because the narrative already told us he was supposed to be one of the “good guys”. People continue to tell us this, and yet what we are shown is a different story.
Truly, one does not even have to look at “The Stable Boy” or “Bleeding Through” to make this argument, because Leopold’s problematic nature as a character can be traced all the way back to “Fruit of the Poisonous Tree”.
What is Leopold seen doing in that episode? After the genie scene, he ignores his now-wife at his daughter’s birthday party, instead singing praise to his late wife, not so much as glancing at Regina. He later reads her diary, discovering that Regina is perhaps gaining feels for a man because he actually pays her the time of day. Leopold’s response is to summon the genie (evidently, freeing him from his bottle is enough to expect Sidney to, what? Repay the favor? Even that one kind/selfless act leads Leopold to later employ the genie for his own benefit) and ask him to find the man who has “stolen his wife’s heart”, as if she is a possession without agency. He admits he knows she is unhappy (which also makes his neglect all the worse, for he is making no attempt to rectify this), but overall seems less concerned with her feelings than the fact that, by her displaying a sense of emotional independence, she is less his. While the genie is, to his knowledge, “investigating” the matter, he places Regina under house arrest. She has not even committed any sort of adultery, only privately expressed the stirrings of for someone who might be able to love her in the way Leopold admits he cannot, and his response is to lock her away and ban anyone from seeing her, including her father.
"But this was all part of Regina’s plan!" you might say, but this only makes Leopold look worse. Regina did not force him to do any of these things – they were his own actions. For her to know he’d read her diary, or that his reaction to her expressing agency would be so extreme?
Regina wouldn’t have formed such an important plan based on hunches, which means these are things that have probably happened before.
That’s not something we’re supposed to think about, though, not something we’re supposed to ponder on, as it violates the “good king” image the narrative wants to believe in.
So the story does not address it.
Meanwhile, what does Regina do in this episode?
During the birthday party, her look is forlorn, tearful, lonely – and more than likely fully genuine, for who would even be watching her in this moment? She has no audience, no point to prove. Which is why she gets up and leaves. The genie follows her, and you know how the episode goes. In the end, she uses his feelings for her to her advantage (in order to eliminate her abuser), and sure, it was wrong of her to manipulate and frame him in the way she did. But, besides the fact that she actually organized him an escape plan, she seemed legitimately upset and conflicted over letting him take the fall. She didn’t do it just to screw him over; she saw her Leopold’s demise as an end that justified the means. It is only Sidney’s objectifying wish, to gaze upon her face (reducing her to her appearance, showing that he was primarily attracted to her beauty, not her personhood), and the result of his own wish that she becomes truly victorious.
It is interesting how Regina shows inner conflict over her actions in this episode, and Leopold does not.
But, anyway, guess which one of these two the episode presents as the big bad villain, and which one is shown to be the poor innocent victim.
Because the narrative has already established that Regina is badbadbad and that Leopold is goodgoodgood, and this is the more important than their actions in this particular episode. The hero and villain were decided before the battle had even begun.
(A semi-related sidenote: I find it interested that people will argue that Regina is responsible for all of her actions because she made a choice – which is absolutely true, even if this is often used as an excuse to handwave Rumple’s, Cora’s, and yes, even Leopold’s immense influence on how she became the way she is, but yes, Regina’s choices were her own – and yet frequently say that Regina murdered Leopold, with no mention of Sidney, as if Sidney himself did not suggest they use the snakes to kill Leopold, as if he did not offer to do the act himself, as if he did not go and stick those snakes in Leopold’s bed all on his own, as if he is not, y’know, Leopold’s murderer, as if Sidney’s choices were not also his own. But that’s an argument for another day.)
I really, really should not have to go into how The Stable Boy and Bleeding Through only make Leopold look even more disgusting, and I already feel like I’m losing my original point, so I’ll leave you to think about those two episodes yourself.
The important thing: none of Leopold’s actions are outright called into question by the characters. Never are we, as an audience, formally prompted to consider his actions and determine him to be anything less than the good man we are supposed to see him as.
Leopold is one of the best examples of OUAT’s twisted way of morally defining its characters, of the toxic idea that people are innately “good” or “evil” and that this is defined by something they just are, rather than their actual actions.
And he is an example of how harmful this narrative method is, because, while fandom may take it upon itself to analyze characters and plotlines think about them on a deeper level, many casual viewers do not.
And for every casual watcher you have who calls out Leopold on how gross he is, you have people who swallow him just as he is served.
I have a friend who I once mentioned my hatred of Leopold to, and she seemed confused, like she couldn’t think of why I could possibly hate him. I brought up his actions in “Fruit of the Poisonous Tree”, as well as reminded her of the details of his proposal to Regina, and the expression on her face was one I will not forget: one of vague horror, of suddenly seeing what the narrative did not mean for us to see.
"Bleeding Through" is the nail in the coffin. Leopold’s relationship with Cora ultimately solidifies his later proposal to Regina as, yes, vile (and it was really not that much less even beforehand; it’s only now more so), except this entire situation was done for plot purposes. To give Cora a reason to give up Zelena, to further explore the Cora/Eva blood feud (and, surprise surprise, root it in a rivalry over a man), and perhaps to make the family tree that much more fucked up.
Leopold is never called out by anyone for proposing to the young daughter of his old flame. Regardless of audience reaction (because the writers frequently underestimate the intelligence and attentiveness of their watchers). The narrative does not even attempt to address this. In fact, it all but states him to be the only innocent party in the mess…
…Because, ridiculously so, Leopold’s vileness is fully overlooked in favor of framing Eva as the one with “darkness in her past”.
Goodness gracious. At least Eva outgrew her classism, yes? After all, when young Snow shows signs of being a classist, Eva quickly calls her out on this behavior and attempts to correct it.
Obviously, Eva did not tolerate this type of thinking anymore. So I wonder which parent Snow learned it from.
I understand that I’m reaching into subtext and probably headcanon now, but the point is that this is undoubtedly another thing we were never supposed to actually think about.
Leopold was never even implied to be vile.
That’s the problem. That is the proof of my point.
Not once – not once – has the narrative encouraged us to actually think about Leopold’s actions, the harm they have caused. Not once were we ever meant to think of him as anything than what we were told he was.
Leopold is a character who displays possessive tendencies, who grossly puts a ring on a girl maybe a third his age despite the horror on her face because her mother’s consent meant more to him than her own, a girl he later ignores once she’s under his ownership, a girl whose probable depression he handwaves, a girl he locks up for displaying agency.
And he is never actually presented as anything less than a victim. He is not held responsible for his actions because people are too busy babbling about how he’s such a “fair king”. As if his awful actions are excused or a non-issue because of who he fundamentally is.
Add in the fact that he’s a rich white man in a position of high power, and the fact that there are so many people out there, on tumblr and off, who do not even regard his actions as anything problematic, and the fact that he is not the only character this line of thinking applies to, and this narrative becomes toxic. It is harmful.
I really hate being an introvert because I sometimes think “oh hey, I can totally hang out with a bunch of people right now! I can handle it! I hate being alone!!” and then three hours into hanging out I realize how draining of energy it is for me to be around other people and I just want to curl up into a ball and isolate myself for the rest of my life.
[image description: A screencap of Angelina Jolie as Maleficent in a black gown with horns and a black crow on the right hand side of the picture. Text overlays it, “Fantasy Movie: POC need not apply”]
Yesterday I watched “Maleficent,” Disney’s retelling of “Sleeping…
They should of had no poc on the movie. You all want to be European so bad it’s hilarious!
Are you under the impression that American fantasy movies are Europe? Or that Europeans of color don’t exist?
I’ve pretty much had it up to here with Americans who think Europeans of colour don’t exist. SMH.
^^ That’s the misconception I’m really addressing with this blog, which I think is why there are some European people who are a bit confused about it. Historical Europe has, in many ways, become a white American commodity/white supremacist fantasy that doesn’t resemble actual European history much at all. And I think U.S. media as well as our classrooms and curricula really reflect that misconception, which is why I’m trying to create a narrative counter to those ideas and images.
This is a simple text based game where you play as a young trans person trying to buy some underwear. I made it with the intention of showing cis people what it’s like to be trans. You can play as a trans girl, trans boy, or a nonbinary person. It’s short, so you can play it multiple times for different paths. There are several paths, some better, some worse; if you’re easily triggered by dysphoria or transphobia, you may want to avoid this game. Some paths are safer than others, depending on how well you pass (surprise, surprise). TW for homophobic/transphobic slurs, transphobia/transmisogyny, slurs, misgendering, and possible violence.
I did this just to see how relatable it was, and holy shit it was like someone put me back in the spots i was in only a year ago. My heart is racing shit.
ow… my everything hurts…
Hey all my cis followers: this is instructive. Go play it.
Thank you for making this. This is a brilliant way of explaining what’s it is like to be trans in the cis-normative society of today.
the whole premise of gitf, turning an important historical figure who, by the end of her life wouldn’t have sex with anyone because of health reasons, into a sex object who basically served to emphasize how little rose tyler deserves the doctor